As Jack enters the apartment he sees two Splicers dancing. At there, Cohen welcomes him into his home. If the player chooses not to kill Cohen at Fort Frolic, then Jack will encounter him later in his apartment at Mercury Suites. Jack can attack Cohen, who will turn into a houdini splicer, but is dispatched by the former. However, the player has the option to kill Cohen, leaving his fate up to the player. Once placing the final photo, Cohen reveals himself to congratulate Jack for his work, and gives him a reward and lets him leave. However, he returns to senses once the splicers are dealt with, and tells Jack to continue. After Jack takes the third photo, Sander accuses him of being a doubter due to hid delusions, sending several splicers to kill him. Ordering him to the hall, Cohen kills Kyle Fitzpatrick and tasks Jack with taking photos of his former disciples' corpses in exchange for safe passage to Hephaestus. He also submerges the bathysphere to Hephaestus, thus trapping Jack in the fort since he can use him for his own purposes. When Jack arrives in Fort Frolic to reach Hephaestus, Cohen becomes aware of his presence and cuts off Ryan and Atlas from contacting him. ~ Atlas describing Cohen as an psychopath to Jack. I've seen all kinds of cutthroats, freaks, and hard cases in my life, but Cohen, he's a real lunatic, a dyed-in-the-wool psychopath. He would manage to survive the city's fall, however, and remained in Fort Frolic alongside his disciples, who grew to resent their former idol sine they were locked in the fort.Ĭohen's an artist, says some. Around this point, Cohen started to regret ever accepting Ryan's invention, presumably as a result of everyone focusing on the civil war and Fort Frolic being forced to close. The war would result in the fall of Rapture, and Cohen went insane due to taking ADAM and feeling unappreciated by the citizens. At some point, the disciples either betrayed Cohen or Sander became displeased with them.ĭuring the civil war, Cohen became a member of the Rapture Central Council, where Ryan issued that he could control Fontaine's business. It's heavily implied by the disciples in BioShock that their relationship with Cohen was sexual, as the artist himself comments on the subject. Around this time, Cohen came upon inspired artists who became his disciples, with one of them being Elizabeth, who secretly getting information on his child trafficking. Many of the orphans were bought by Ryan's company to be turned into Little Sisters, young girls tasked with obtaining ADAM. Cohen saw an opportunity to take the orphans off the streets and traffic them to individuals who were willing to pay the right price. When Frank Fontaine came to Rapture, he would cause the closing of his Little Sister's orphanage, leaving them on the streets. Following Culpepper's death, Sander didn't have any competition in the art world, and remained on top in the art community. His closeness to Ryan caught the attention one of Sander's enemies Anna Culpepper, whom was alter killed by security chief Sullivan on Ryan's orders. In Rapture, Sander remained one of Ryan's most loyal supporter, and defended his friend anytime he was criticized by others. He also became the owner of Fort Frolic, a place where citizens could unwind by drinking or shopping, and owned other places such as a night club called "Cohen's" and several art galleries. While in New York, he became friends with the businessman Andrew Ryan, who admired his art and invited him to Rapture.Īccepting Ryan's invention, Cohen went to Rapture where he became the head of the artistic community, tackling other subjects such as poetry, playwriting and music. However, Cohen's talent was questioned by those who doubted his abilities, and the author Lee Wilson Seward considered him a fraud. Sander became a well known in his field and was celebrated, but he found himself mostly pleasing the public instead of following his passions. Sander Cohen was born around the 1930s as a Jewish-American citizen, and was either born in or moved to New York where he became an artist.
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